slow people, slow people
im always running
there’s no time to kill
and no, im not sorry
if I move faster than you
bellowing down halls
the stone cold maze of walls
ripping right through the creases
slow people, slow people
spinning out and I couldn’t brake the pedal
(pounding nails and i couldn’t break the metal)
and when the flowers came out
beggars came
to waste my time
and I try to explain
no you won’t take it
you can’t get it
you can’t get it
and you won’t
because you know that I’m alone
i am the dead man of the earth
i’ve seen my ghost
can’t give it away
can’t give it away
can’t get it
some pray for, some are bold.
bellowing down halls
the stone cold maze of walls
ripping right through the creases
supported by 69 fans who also own “Shadowbreather”
Because its what i imagine computers having an orgy to sound like and thats pretty rad. One of the best albums of the last 10 years, no competition. Christian M.
supported by 55 fans who also own “Shadowbreather”
i’ve been aware of Car Bomb for a while, but i never really listened to them much until recently. i’m so fascinated by their sound!!!!!! it’s everything all at once, but not in a Frontierer i-can-barely-digest-this-oh-my-god sort of way.. it’s all totally comprehensible, meticulously-organized chaos. and i adore it. fruitcumber
supported by 52 fans who also own “Shadowbreather”
it's like meshuggah, car bomb, and Tony danza tapdance extravaganza pushed to the max and I'm not sure that justifies just how intense and nasty this record is. this is a cathartic release of hate and insanity. download this now... or don't xmacqueenx
Thought-provoking, thunderous jazz-metal from Krallice's Nicholas McMaster and Lev Weinstein — two of NYC's most respected metal musicians. Bandcamp New & Notable Sep 20, 2018
supported by 40 fans who also own “Shadowbreather”
Looking back, the scariest part for me of Twin Peaks: The Return was an image I can't shake. The end of Episode 15 - where the Gatekeeper stands alone in the hotel parking lot, face obscured in shadows. The image gives you pause, because you know there is unseen horror under the surface. A similar figure, face obscured, stands in the distance on the cover of "Annihilated" & the same uneasy feeling comes over me as I hear the brutality of this music. Totally terrifying - just the way I like it. bcb723