as he climbs through the steam vents
eyes heavy, so stark, so torn
exhausted from the journey, no doubt he’s at his end
running from his lost and lonely life, he’s trying to disconnect
doubt runs through him, but still he pushes on
peering over the rocky edge, he feels he’s not as strong
and in this moment he finds his will to live
as he runs from his problems
he can’t go fast enough
he lifts the heavy cover up to peek outside
and when he thought it would be over
it was not over
it was far, far from over
he’s afraid, afraid no more
he’s rising to the challenge
he wants it, wants it all
he won’t give up
he’ll find the way
and take a hold and live
he’ll find a day to find a way to go
he’s not ashamed, he’s not to blame, hes found
He’s found a way to stay awake and run
it wasn’t for the pressure*
it wasn’t for the fun
it wasn’t for the glory
it was for nothing at all
he carries the weight of the world
supported by 69 fans who also own “Shadowbreather”
Because its what i imagine computers having an orgy to sound like and thats pretty rad. One of the best albums of the last 10 years, no competition. Christian M.
supported by 55 fans who also own “Shadowbreather”
i’ve been aware of Car Bomb for a while, but i never really listened to them much until recently. i’m so fascinated by their sound!!!!!! it’s everything all at once, but not in a Frontierer i-can-barely-digest-this-oh-my-god sort of way.. it’s all totally comprehensible, meticulously-organized chaos. and i adore it. fruitcumber
supported by 52 fans who also own “Shadowbreather”
it's like meshuggah, car bomb, and Tony danza tapdance extravaganza pushed to the max and I'm not sure that justifies just how intense and nasty this record is. this is a cathartic release of hate and insanity. download this now... or don't xmacqueenx
Thought-provoking, thunderous jazz-metal from Krallice's Nicholas McMaster and Lev Weinstein — two of NYC's most respected metal musicians. Bandcamp New & Notable Sep 20, 2018
supported by 40 fans who also own “Shadowbreather”
Looking back, the scariest part for me of Twin Peaks: The Return was an image I can't shake. The end of Episode 15 - where the Gatekeeper stands alone in the hotel parking lot, face obscured in shadows. The image gives you pause, because you know there is unseen horror under the surface. A similar figure, face obscured, stands in the distance on the cover of "Annihilated" & the same uneasy feeling comes over me as I hear the brutality of this music. Totally terrifying - just the way I like it. bcb723